Diversity in Learning

I didn’t write this, but I enjoyed reading it and wanted to share it.  It comes straight from mouth of Seymour Papert, one of the most influential thinkers of our time.  This quote comes from a speech Papert gave, and is worth reading the whole thing.

“School as we’ve known it is based on an assembly-line model. And the assembly line was a great invention when Henry Ford made it. And the school might have been a great invention when it was made, but it is an assembly-line model. You come into school, you’re in the first grade, in the first period of the day. You do what the first chapter of the textbook says. You go to second period, third period, second grade, third grade. It’s an assembly line; at each point some new pieces of knowledge are put in.
Why we did this was because we had only such primitive knowledge management technology as chalk and blackboard–and even printing is inflexible, impersonal. With our new forms of knowledge technology, there is no reason why we should have the assembly-line model. There is no reason why we should segregate people by age, rather than bring together people who share an interest, who share a style of doing things, who can do things in common.
When we break away from our mental blinkers enough to be able to throw off the idea that math means adding fractions and this other stuff that we learned in elementary school–which nobody ever does–we spend all that expensive money, and time, and frustration, and psychological damage for the people who don’t take to it, in order to program our children to do what a $2 calculator could do better.
We will break away from this one day. We will allow people to learn by following the things they believe in with passion and interest. They’ll learn more deeply. No, they won’t all learn the same things, but we don’t need them to learn all the same things. We want them to be diverse. We want them to be able to do different kinds of activities and bring different points of view.
But in order to do this, we have to break away from this idea that by a token presence of technology–which is all that a pencil in every classroom, or a computer in every classroom, or an Internet connection in every classroom, can be.
We have to break away from that, accept the fact that we have to give every child–not just one maybe, maybe several, but at least one–personal computer to be his or her own thing, to be used not to follow a curriculum, but to follow creative, personalized, diverse learning. That is possible. I think it’s just obscene to suggest that the richest country in the world can’t afford it.”

Diversity in Learning: A Vision for the Next Millennium

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Data lives Forever

It’s sometimes difficult getting kids to understand the full implications of something as seemingly harmless as putting their photo online. They often don’t realise that, just like The 500 Hats of Bartholomew Cubbins, once something goes online it is near impossible to remove it. This video makes a pretty good point of showing the effect of this behaviour…

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It’s something that both children and adults need to understand well. This is a post-Google world we live in. It’s no longer unusual that an employer Googles the name of a potential hire to check their reputation and see what they have done (or equally, not done). When you go out with a new person, it’s likely that your date has Googled you, MySpaced you or FaceBooked you to get a little bit of “background” on the sort of person you are. In a digital world you leave a trail behind you, often whether you mean to or not. Forum posts, blog posts, (and the comments you make to them), online projects you’ve taken part in, occasions your name has been mentioned in various online and printed publications, photos… if it ends up online, it’s probably there and it’s probably searchable. And you’d be amazed at how you can take lots of little pieces of data to form a fairly thorough picture of someone’s activities and reputation.

This can work in your favour too of course. As I was applying for jobs recently, I was actually hoping that potential employers would Google me as there is, fortunately for me, lots of positive stuff online – lots of technology projects and events I’ve taken part in which I imagine would have been relevant and supportive to the positions I was applying for. But the point is that had there been lots of negative stuff, there would have been virtually nothing I could have done about it. Try it with your own name and see what you get… wrap your name in quote marks to get Google to search it as a single entity, and of course it helps if your name is a little bit unusual as you will probably get more relevant results.

Get your kids to try this too. I recently encouraged my students to do a vanity search on their own name and while for many it turned up nothing, others were shocked at just how easy it was for their past to be dug up. There is probably not much you can do about ending up in the Google database (or any database for that matter), and in lots of cases it could even be a positive thing, but the lesson is to be aware and be careful of what you put online about yourself.

Do this exercise with your students. It’s a lesson worth learning early because if they learn it later it may be too late.

Great Artists Steal

My friend Anne Baird blogged today about her insights regarding the use of Creative Commons as a form of managing the usage rights to creative works such as music, pictures, video or writing. For many people, the only law they have ever heard of in regard to using the work of others is copyright law, and this is usually interpreted as “you cannot use this!” That’s not exactly correct of course… copyright means “you cannot use this without asking my permission”. Unfortunately the process of getting that permission is usually not so simple, so for most people the choice is to not use the work at all, or to use it illegally.

Description of where CC sitsEnter the world of Creative Commons. Creative Commons, or CC for short, was launched in 2001 and is a licensing model for defining how an artistic or intellectual work may (or may not) be used. It sits in that void between the restrictive copyright model and the free-for-all that is the Public Domain. Too often people assume that because they found something on the Web that they have carte blanche to use it any way they like. Not so. By default, every creative work is instantly and automatically covered by copyright as soon as the author creates it so the right to borrow, steal, reuse or adapt these works is automatically forbidden. Aside from the sometimes vague notion of “fair use” and some specific exceptions, you are generally NOT entitled to reuse someone else’s work without their express permission. Added to the sometimes seemingly illogical restrictions that copyright imposes are the significant variations in the way copyright law is applied from country to country, providing a recipe for general confusion about what you can and can’t do with someone else’s work.

Perhaps Creative Commons licensing can be best summed up from this description on their own website…

“Creative Commons defines the spectrum of possibilities between full copyright — all rights reserved — and the public domain — no rights reserved. Our licenses help you keep your copyright while inviting certain uses of your work — a “some rights reserved” copyright.

Too often the debate over creative control tends to the extremes. At one pole is a vision of total control — a world in which every last use of a work is regulated and in which “all rights reserved” (and then some) is the norm. At the other end is a vision of anarchy — a world in which creators enjoy a wide range of freedom but are left vulnerable to exploitation. Balance, compromise, and moderation — once the driving forces of a copyright system that valued innovation and protection equally — have become endangered species.”

There are also some excellent videos on the CC site which make it much clearer what Creative Commons licensing is all about, including this one…

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If you look back the the development of art, architecture, design, cinema or literature of the last century, much of it was shaped by the ability to build on the work of those that went beforehand. Impressionist artwork inspired the Post-Impressionists, which in turn inspired others to create the movements of Cubism, Fauvism, Expressionism, Surrealism and Dada. Each of these movements was built on the ideas and work of those that preceded it. As Picasso noted, “Good artists copy, great artists steal”. Some of the most influential works of art in the last century were only possible because the artists were able to stand on the shoulders of those who came before them and build on their ideas. Some, like Marcel Duchamp, were able to change the course of artistic history with acts as simple yet profound as painting a moustache on Michaelangelo’s Mona Lisa, causing an entire generation of artists to deeply question the notion of what art was really all about.   Indeed, the very notion of appropriation – using the work of those that came before you as a basis for you own work – is a fundamental characteristic of Post Modernism.  And you have to ask yourself, if the notion of copyright as we understand it today had existed in the earlier part of this century, would we have had any of this intellectual and artistic explosion of ideas?  Or would Picasso have been threatened with legal action after painting Le Demoiselles d’Avignon because it borrowed too heavily on the art of Africa, or the work of Georges Braque?

CC licensing adds some common sense back into the way content creators allow others to use their work.  It adds some balance and moderation, letting content creators decide just how restrictive or not they wish to make the reuse of their work.  We have allowed ourselves to become a society where we legislate against nearly everything, and in the process we have lost some of the humanity that goes along with sharing and spreading ideas and mentoring to the masses.

Many of the senior courses I have been teaching over the last few years have really harped at the students about the idea of respecting copyright, as they should. But I’m realising that I have not paid nearly enough attention to the alternatives to copyright such as Creative Commons or Copyleft. If you’ve also not paid attention to these alternatives, now is the time to start looking at them seriously.

By letting our children stand on the shoulders of the giants who came before them we give them a broader perspective and a deeper creative vision for the possibilities.