Meet Felix

Doing a photo shoot can be tricky. Setting up the location, finding the props, getting the lighting right, etc, can be time consuming and sometimes expensive. If you want a specific picture of an object in a particular setting, you usually need to get that object, set it up, light it, and photograph it.

So I’m finding a new beta from Adobe quite interesting. Called Project Felix, it lets you assemble 3D objects and render them into a Photoshop file. I’ve been having a play with it and it’s pretty simple to use, and has lots of potential.  Just drag objects from the library into the canvas, use the move, zoom and rotate tools to assemble the scene just the way you like it, then render as a finished image. Export that image into Photoshop as a PSD file and keep working on it.  Lots of possibilities.

Check the minimum system requirements though… the rendering process can be pretty computationally intensive. Rendering even a relatively simple image on my MacBook Air with an i7 processor took quite a l-o-n-g time. Still, it got there in the end.

Check it out at http://www.adobe.com/au/products/project-felix.html

The more I know, the more I realise I don't know

Crossposted on the Adobe Education Leaders blog (http://blogs.adobe.com/educationleaders/)

I remember the first time I saw Photoshop.

I think it must have been about 1993 or so, when I got a free copy that came with a scanner purchased by my school. It must have been a “lite” version of Photoshop because I seem to recall that it didn’t support layers. Even so, I really enjoyed playing with it, and I ended up installing it on all the computers in the school computer lab (license? what license?) and I started teaching the kids how to create stuff with it. They just blew me away with what they could do with it, even without layers!

It was around the same time that I stumbled across an unused copy of Aldus Pagemaker in an out-of-the-way cupboard, and I convinced the school principal that we should use it to do the school yearbook; his agreement to my suggestion saw me suddenly escalated to head of the yearbook committee, a job that rolled on for many years and many issues beyond that. Of course, once you start working in Pagemaker (and now InDesign) there is a fairly fundamental expectation that Photoshop is a key part of that workflow.

From these accidental beginnings, I developed a long standing relationship with Photoshop. In the late 90s I was working with students to build collaborative websites, and of course all the graphics were done with Photoshop. We discovered all sorts of interesting features like batch processing, we learned to do decent colour corrections, to crop and manipulate images so that they fitted our needs. We discovered, often the hard way, about important concepts like pixel depth, image resolution, colour gamut, and of course the one that catches every self-taught Photoshop user out at some stage, RGB vs CMYK. We made images for the web and for print, we built graphics from scratch and we did weird things to existing photos. I’m just a teacher, not a graphic designer, but I’ve lost track of the hours and hours and hours I’ve spent inside Photoshop over the last 15+ years.

And here’s the thing about Photoshop. Heck, here’s the thing about pretty much all of Adobe’s products… the more I know, the more I realise I don’t know. Every time I learn some new technique or skill, the self-satisfied smug feeling of cleverness lasts about five seconds before I realise that there is just so much more I could know about it, that I could do with it. Whenever I taught kids a unit of work on Photoshop I used to conclude it with an in-class practical test, where I’d give them some images and a problem to solve – it might be to produce some CD cover artwork or a magazine cover, usually with a few constraints or requirements to make them have to think about it a little – and they’d just astound me at what they’d come up with. “Creative Suite” is a good name for these products, because they really do force you into creativity mode. Most of the time after one of these class tests, I’d spend the next few lessons getting the kids to deconstruct what they’d done, to teach me how they got certain effects. In my Photoshop classes I may have been the teacher, but we were all learners.

When I was offered a place in the Adobe Education Leaders program, I was thrilled to be part of it, and felt relatively well qualified to be part of it given that I’d spent over 15 years teaching Photoshop, Indesign, Dreamweaver and Flash to students. Of course, mixing with other AELs and seeing the fantastic things they do is a great way to reinforce just how little I do actually know, but it’s still been an incredibly valuable association for me.

I got thinking about this lately because I’ve been checking out the tutorials on the newly redesigned Adobe TV. It’s an awesome resource, with every application now having a Learn series, a set of basic tutorials that teach the essential skills required to get up to speed quickly… I wish this had been around when i started playing with Photoshop! As well as the Learn tutorials, there are a bunch of more advanced tutorials that delve into some of the trickier and more esoteric concepts.

And Adobe TV is not the only resource I turn to when I want to know more. There seems to be plenty of other places to learn the how-to stuff for Adobe’s products. Some of my favourites are the Layers TV podcast with Corey Barker and RC, the Creative Suite Podcast with Terry White, Creative Sweet TV with Mike McHugh, Instant Indesign with Gabriel Powell, The Russell Brown Show… the list goes on. I subscribe to all of these through iTunes and they just drop onto my iPhone for later watching. It’s a great way to learn. I’m sure there are many other fantastic resources for learning this stuff… perhaps you could leave a note in the comments about some of the resources you have found useful for learning.

Finally, I just wanted to mention a book I bought recently about Photoshop that is quite simply one of the most amazing Photoshop guides I’ve ever seen. It’s simply called Creative Photoshop CS4 by Derek Lea, and I’m just stunned at how incredible this guy is when it comes to Photoshop. I’ve been working my way through some of his exercises and have been discovering something new on almost every page. When you can use a product for over 15 years, and still constantly discover new things, it says a lot about the depth of the product and the open-ended nature of what it lets you do with it.

I realise more than ever that there is so much I don’t know about Photoshop (and most of the other Adobe products!) But I love that feeling of learning, of discovering, of digging deeper and just discovering that there really is no “bottom” to hit.

Good Learning for a Good Cause

Adobe Master Class

If you live in Sydney, want to know more about the cool things you can do with Adobe’s CS4 Creative Suite products, and would like to support a really worthwhile cause at the same time, you might like to check out this Adobe Creative Suite Master Class.

The event is running on September 30 from 9:00am to 4:00pm at the Zenith Theatre in Chatswood. It’s being run by the folk at Adobe’s Sydney offices, and all the time, energy, marketing and facilities to run this event have been donated, so quite literally ALL the proceeds will go to the Cancer Council Australia.  Cancer is a terrible disease, and you don’t have to look very far to find someone you know – maybe even yourself – whose lives have been touched by it.

If you’d like to attend, you can book using this form.  If you want a copy of the invitation as a PDF (so you can help spread the word) let me know and I’ll email you one.

Hope some of you are able to attend. Take a look at the list of topics covered during the day and you’ll have to agree that it will be a pretty awesome day of learning and creating. For $100 you get some excellent software training, while supporting a very worthwhile cause.